I hadn’t planned to be on stage with the Hudson River Playback Theatre. In fact, this was the last thing I predicted the Monday evening I spent attending a performance for organizations attending Service Week at Omega in Rhinebeck, NY. I’d been on the road the previous three weeks from Long Island to Albany to Binghamton and back to the Hudson Valley again in hot clammy weather.
I was tired, but relaxing in the audience wasn’t meant to be. Hudson River Playback Theatre is interactive story theatre for dialogue and connection. The cast creates memorable theatre on the spot based on the true stories of people in the audience.
“Go up and tell your story,” Susan Zimet urged. Susan sat next to me in the audience, and I ignored her the first time she poked. Then her plea became a kick and an order: ”Do it, now.” You don’t say no to Susan.
Well, okay. I could tell about visiting Albany, the second floor of the capitol, to see Grandmother Edna’s suffrage campaign wagon in the women’s exhibit around the corner from the Hall of Governors. I could talk about Grandmother Edna being part of the grassroots suffrage movement and someone who campaigned in her horse-drawn wagon called the “Spirit of 1776″ on Long Island and NYC. Then I’d throw in how I’d grown up with this icon of the suffrage movement, mention how every summer when I was a kid, my mother would dress us up. We’d visit my Grandfather Wilmer Kearns and he’d drag the old wagon out of the garage and we’d have our photo taken. It was important to mention how Edna died in 1934, so I had to learn about Edna from my mother and plowing through my grandmother’s writings, speeches, photos, news clippings packed in stacks of boxes. She saved everything.
Sarah Urech, the theatre’s assistant director, interviewed me on stage and made this part of the process easy. Then she asked me to choose who would play me (Jody Santriani), who would play Edna (the theatre’s director Jo Salas), and Grandfather Wilmer (Mateo). Musician Dean Jones backed up the performance on the piano.
Eeverything flowed from that point on with few props other than a curtain, wood boxes, and several scarves. Grandmother Edna came alive on stage, directing traffic from her soapbox wagon, leading marches to Albany, standing firm in her position that all American women should vote. There were few words, other than “Freedom,” and the finale became me, up on the soapbox wagon after Edna had departed, carrying on the unfinished work of the American Revolution.
Sarah Urech’s a master in helping people tell their stories. I found out later that she’s a distant cousin of Jeanette Rankin, suffragist and the first woman elected to the U.S. Congress. So this story joins all the others because Susan Zimet poked me and challenged me to march up to the stage and live beyond the boundaries.
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There’s nothing like a newspaper article of the period that reveals character. I found this article in the Nassau Post published on July 16, 1915 describing a Long Island suffrage parade. Edna Kearns is identified as the campaign press chair (second campaign district) and the way in which she addressed the crowd is noted. The reporter stated that she expressed herself in “her usual quiet yet forceful manner.” It’s brief and to the point. And the point goes a long way. Here’s suffragist Edna Kearns at her home office in Rockville Centre, NY, the headquarters from where she organized Long Island and the NYC area for Votes for Women. 
