Hazel MacKaye (shown above) was riding high in 1914 when her pageant, “The American Woman: Six Periods of American Life” was performed at the Seventy-first Regimental Armory (sponsored by the New York City Men’s League for Equal Suffrage). This cutting-edge production milked the potential when combining drama and social commentary. Grandmother Edna Kearns was involved, not only in the event’s organization, but also the performance. Historians now note that women’s pageants shifted to beauty contents in the years following the suffrage movement. In their time, though, suffrage pageants were less confrontational than parades and demonstrations. And they were an emotional training ground for later forms of protest, such as picketing the White House.
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